GLYPHS The Ruler series are based on the Ruler Rounded metrics, a font that initially was created as an experiment, to see how a side-effect would act on a geometric font structure. GLYPHS Ruler Modern is the Ruler Rounded font “alienated” a little further, to the extreme point when the font is still readable but has a small resemblance with the basic version. GLYPHS Not much to say about the development of this version, basically this is only a small tweak of the main Ruler font to mimic the real use of a stencil. GLYPHS A mix between a condensed Gothic and a typewriter, inspired by the technical fonts you find on charts, Ruler is meant to add a scientific look to the design, without being too elaborated. GLYPHS Rubber is a collection of various identity proposals using custom letters, redesigned to form a single style across all its characters. GLYPHS pxlxxl was made in 2010 for a personal website that involved pixel related designs, so the font was built using only vertical and horizontal lines. GLYPHS PostScriptum is based on a minimal construction and a very strict grid, with small weight variations and a condensed design that will result in a compact text, in every use. GLYPHS Ogonek was created with the express role of having a neutral, easily readable, but hardly identifiable font, worthy of any lorem ipsum text. GLYPHS Marker is a handwriting font drawn with a worn-out marker, made in the series of the early experiments that involved any tool that’s been lying around. GLYPHS Loveletter No9 was made for the love of letters, of course, using generous gestures in a complex and “romantic” design.
GLYPHS The loremipsum font is the result of many desperate attempts to reduce the time spent in accounting, this font especially was designed only as a handwriting substitute for various digital documents. GLYPHS Lipsum is a lighter version of the loremipsum font, created as an alternative for longer texts, but since the two fonts were drawn separately, this can’t be considered just a weight variant. GLYPHS HighVoltage was designed as an alternative to important texts usually limited to caps letters, to have a similar, imposing effect in any circumstances. GLYPHS HermanoMayor is the grandfather of HermanoAlto, resulted from various exercises with block elements, looking for a very compact design that offers a good visibility in headlines.
GLYPHS HermanoAlto is the “spanish tall brother”, a tribute to both Spain and America in one, with most of the European accents and Cyrillics included. GLYPHS Gotcha Gothic is a personal approach to classics, created to have an extended option for headings, with lowercases, accents and iconography, not necessarily for web. GLYPHS Golden Age is a restoration of an old font from the 30’s, with the missing glyphs added using details from the few existing ones. GLYPHS Giant Gnome is an experiment with extreme weights and shapes, looking for a maximum impact on small sizes. GLYPHS Fat Flamingo5 is a heavy alternative to serif headlines with a touch of pink, inspired by vintage house numbers, ornament dingbats and Didot fonts.
CRAYOLA CHALK FULL
GLYPHS Fashion Fetish initially was created to test the readability limits of a very light font on screen, but eventually this became a full font, with accents, symbols and special characters. GLYPHS Dry Brush is the Brush font “reloaded”, with more focus on the texture and the gesture, trying to get the maximum out of it. GLYPHS The CSS font is a way to render texts without using an actual font, based on PHP functions and HTML elements with classes, styled with CSS to simulate characters. GLYPHS Crayola is one of the oldest exercise with textures from the period when each tool was tested to see how it behaves in digital format. GLYPHS Caoutchouc is a child safe project, playing around with rounded lines, inspired by fridge magnets and baby toys. GLYPHS Also known as “LeviBrush”, the Brush font is one of the first fonts made for online, initially created for a single title in the 2003 portfolio since I couldn’t find the right fit. GLYPHS The Basic font was developed after several exercises to find the most basic lines with minimal resources, which means a small number of nodes, kerning based mostly on the characters margins and a few corners cut for simple effects. ⌕ 0 of 33 All 33 Sans 20 Serif 6 Script 7 ▤ ▦
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